12/14/2023 0 Comments Inmost plotThe trick is to initially let the ideas flow without paying too much attention to structure and then in your second pass begin to focus your story and separate the wheat from the chaff. Well, theoretically it won't but I'm sure someone will find a way! Let your characters define the story and your story define your structure and then use a formula if necessary to tighten your script. There's no point trying to write a comedy and forcing the structure of a thriller upon it - it won't work. In the end, a story should dictate the kind of structure it follows or whether it shouldn't follow a structure at all. Some try not to subscribe to any and see the whole idea of structure as "evil", feeling that a story should evolve organically without rules confining ideas or obstructing the creative flow. The thing is, there are many forms of structure and some writers subscribe to one formula, while others subscribe to another. After facing many foes and overcoming various obstacles the hero saves the day and wins the girl. In the beginning you setup your hero (or heroine) and his story, then you throw something at him that is a great source of conflict and takes him into a whole heap of trouble. The white silhouettes at the end when Adam and Lizzie are at the table represent Lizzie's biological parents (on the left), and on the right is the fox (which represents Adam's late wife) and the knight, his wife, and their biological daughter.To Structure Or Not To Structure? That Is The Question.Įvery story has a beginning, a middle and an end. The scene where he's locked behind a door trying to save her mirrors his regret of not being able to save his biological granddaughter, except this time he's able to save her from falling, and we learn that both he and Lizzie survive the fall, but Adam was also injured and has to use a cane (although that could just also be because of old age, but I believe that's the implication). When Adam finds the knight's (his son's) body, he almost succumbs to death (the Keeper) as well, before remembering that he has to make sure that Lizzie is safe. She gives Lizzie a note, most likely something along the lines of her telling Lizzie to kill herself where her parents died just like she planned with her husband, so Lizzie, now completely alone, does so. I believe the Keeper is supposed to represent Death and the serpent represents his wife, hence how he was able to kill the serpent, but of course he was powerless against Death), and she later succumbs to her wounds because her husband was able to fight back. She killed her husband (The scene with the knight where the Keeper kills him. The knight's wife, however, rejected her adoptive daughter, and was completely broken over her biological daughter's death, leading her to be abusive and neglectful at home, and wanting to kill herself and her husband so that they could be with their biological daughter. She was too young to understood what really happened to her parents, so she saw the knight (her adoptive father) as someone evil, nor did she understand that her parents were dead, which is why she believed she had been kidnapped. A fire started in the apartment Lizzie lived in, and the knight saved her from it, but was too late to save her parents. The knight's biological daughter/the wanderer's biological granddaughter killed herself because of constant bullying. To sum it up here: The girl you play as (Lizzie) is the knight's adopted daughter, and the wanderer you play as (Adam) is the knight's father. What in particular do you not understand? Cause I can probably (hopefully) explain pretty much everything.
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